Chapter 2 - THE PAINTINGS SHE CLAIMED AS HER OWN
“Mom, ask him why Madison has been telling everyone those paintings are hers,” my daughter whispered, her voice trembling with a mixture of shock and fury.
I stared at her, the phone pressed hard against my ear.
“Charles,” I said, my voice eerily calm despite the sudden, terrifying acceleration of my heart. “Why is Madison claiming my work as her own?”
A heavy silence fell over the line. I could hear the faint sound of traffic in the background. He was in his car. Probably driving back from her apartment.
“Elizabeth, let’s not blow this out of proportion,” Charles finally said, adopting the smooth, negotiating tone he used during corporate acquisitions. “Madison is an aspiring creative director. When I brought your painting to the office six months ago, my investors saw it. They loved it. They asked who the artist was.”
I closed my eyes. I knew what was coming.
“You didn’t tell them it was me,” I whispered.
“I told them it was Madison,” Charles admitted, no apology in his voice. “It was a strategic decision, Elizabeth. You were a housewife painting in a sunroom. Madison is the face of my new boutique hotel line. Selling her as a multi-talented creative visionary secured a fifty-million-dollar investment from a firm in Dubai.”
The air rushed out of my lungs.
Thirty-two years of sacrificing my own ambitions so he could build his empire, and the moment I finally created something of value, he stole it to elevate his mistress.
“You used my art to fund your hotels,” I said, the words tasting like ash in my mouth.
“We used it to secure our future,” Charles corrected. “And it worked. But last night at the gallery… Madison found out about the New York collector. She found out you were claiming the work.”
“Because it is my work!” I shouted, the dam finally breaking. “I painted them! My hands cramped! I spent hours in that studio while you were sleeping with her!”
“Lower your voice,” Charles snapped, his corporate patience vanishing. “The New York collector who bought your painting last night is Eleanor Vance. Do you know who she is?”
I didn't answer. I didn't care.
“Eleanor Vance is the wife of the Dubai investor,” Charles said, his voice dropping to a harsh whisper. “If Eleanor finds out the artist she bought from last night is my fifty-six-year-old wife, and not my brilliant young marketing executive, the Dubai firm will pull their funding. It’s fraud, Elizabeth. I could lose the hotels.”
I stared at my daughter’s living room wall. The painting of the woman at the open door stared back at me.
“You committed fraud,” I said slowly. “Not me.”
“We are legally married,” Charles reminded me, a cold threat underlying his words. “What’s mine is yours. Including my debt. If the company goes down, your comfortable lifestyle goes down with it.”
“I packed two suitcases, Charles,” I said. “I’m already gone.”
“You think you can just walk away?” Charles laughed, a bitter, ugly sound. “I’ve already contacted my lawyers. Everything you painted during our marriage is marital property. And since I paid for the canvas, the paint, and the roof over your head, I own those paintings.”
My hand began to shake.
“Madison is filing a copyright infringement claim against the gallery this morning,” Charles continued. “She’s going to say you stole her concepts. You won’t sell another painting in this lifetime, Elizabeth. Come home. Let’s handle this quietly.”
I looked at my daughter. She was watching me, tears in her eyes, silently begging me not to surrender.
“I’m not coming home,” I said.
Before Charles could respond, I ended the call.
I set the phone on the coffee table. My hands were trembling so badly I couldn't hold them still.
“Mom?” my daughter asked softly. “What did he say?”
“He said Madison is claiming my work,” I whispered. “And he’s helping her do it to save his company.”
My daughter stood up, her jaw clenched. She walked over to the kitchen counter and picked up her laptop.
“He thinks because you’ve been quiet for thirty years, you’re weak,” my daughter said, her fingers flying across the keyboard. “He forgot who raised me.”
“What are you doing?” I asked.
“I’m logging into the gallery’s security feed,” she said. “I installed their new camera system last month.”
She turned the laptop screen toward me.
The security footage from last night’s exhibition played in silent black and white. It showed me standing at the front of the room, speaking. It showed the crowd clapping.
And then, she fast-forwarded to 11:30 p.m., an hour after I had left.
The gallery was empty. The lights were dim.
But suddenly, the front door unlocked. A woman walked in.
She was wearing a red dress.
Madison.
I watched in horror as Madison walked directly to the wall where my remaining paintings hung. She didn't just look at them.
She pulled a sharp, silver box cutter from her purse.
May you like
And right before the camera cut to static, Madison raised the blade toward the canvas of my favorite painting.
TITLE: THE SLASHED CANVAS AND THE HIDDEN CAMERA
