testify

Chapter 7 - THE APRON IN THE LINEN CLOSET

Vittorio carried the apron upstairs himself.

He did not ask anyone to follow.

Elena did anyway.

At the top of the stairs, he looked back.

“I didn’t invite you.”

“No.”

“Then why are you here?”

“Because you’re carrying a thirty-year-old apron like it weighs a hundred pounds.”

He almost told her to leave.

Instead:

“Come on.”

Lucia Bellandi’s old room had been changed years earlier.

The furniture was newer.

The photographs were gone.

But one wardrobe remained original.

Vittorio opened it.

Mrs. Conti had preserved a few things.

A scarf.

A pair of gloves.

A brown wool coat.

Vittorio touched it.

“The coat.”

Elena remembered Carmela’s story.

“The one you hated?”

“It scratched.”

He smiled faintly.

“My mother cut the tag out.”

He found the cut seam at the collar.

His thumb rested there.

Then his hand moved into the coat pocket.

Something crackled.

Vittorio pulled out a photograph.

Lucia.

Rosa.

Domenico.

And young Vittorio sitting on the counter with flour on his nose.

All four looked happy.

On the back:

Sunday, before everything got complicated.

Elena looked at him.

“Your father kept this?”

Vittorio nodded slowly.

“He kept the coat too.”

The simple fact mattered.

Domenico had erased the restaurant from conversation.

But not from the house.

Grief had not made him forget.

It had made him hide.

Mrs. Conti appeared in the doorway.

“I put the photograph there.”

Vittorio turned.

“When?”

“After your father died.”

“Why?”

“I thought someday you might look.”

He laughed once.

“I never did.”

“No.”

Mrs. Conti came farther into the room.

“You became very busy becoming him.”

The words were dangerous.

Any other employee might have been dismissed for them.

Vittorio simply looked at her.

“You think I became my father?”

“In some ways.”

Elena watched his jaw tighten.

Mrs. Conti did not retreat.

“You stopped eating in the kitchen.”

“That makes me Domenico?”

“You stopped laughing.”

Silence.

“You stopped letting people sit with you unless they had business to discuss.”

Another pause.

“You started calling loneliness privacy.”

Vittorio looked away.

Elena felt almost intrusive.

Mrs. Conti continued gently.

“Your father did the same thing after Lucia died.”

Vittorio touched the apron.

“Why didn’t you tell me?”

“Would you have listened at twenty?”

“No.”

“At thirty?”

He said nothing.

“At thirty-eight?”

His eyes moved toward Elena.

“Apparently I need pasta first.”

Mrs. Conti smiled.

“Lucia knew that.”

Elena returned to the kitchen.

An hour later, Vittorio came down carrying the photograph and apron.

He sat at the island.

“I want to reopen the trattoria.”

Elena stopped chopping onions.

“Why?”

“To restore what was taken.”

“That isn’t enough.”

He frowned.

“You disagree?”

“I think rebuilding a restaurant because you feel guilty is how you end up with a beautiful empty restaurant.”

“What would you do?”

“Cook.”

“That seems obvious.”

“You asked.”

He gave her a look.

Elena continued.

“Not expensive food. Not velvet ropes. Not men checking jackets for weapons.”

Vittorio raised an eyebrow.

“That last one may be difficult.”

“Then keep them outside.”

“What else?”

“Lunch for workers.”

“Workers can afford lunch.”

“Some can’t.”

He listened.

“A family table once a week. Anyone on staff can eat.”

“In the dining room?”

“In the dining room.”

“You enjoy making my employees uncomfortable.”

“They’ll survive.”

Vittorio nodded.

“And the name?”

Elena hesitated.

“Bellandi & Marchetti.”

“Agreed.”

She looked at him.

“That quickly?”

“It was the name before my family erased half of it.”

The answer mattered.

Then Vittorio said something she did not expect.

“You should run it.”

“No.”

“Why?”

“Because you’re doing it again.”

His expression changed.

“Doing what?”

“Deciding somebody’s life for them because you think your reason is good.”

The words landed.

He looked down.

Elena softened slightly.

“I have a brother who needs me. I have my own work. I might want it. I might not.”

Vittorio nodded.

“You’re right.”

No argument.

“Ask me later.”

“I will.”

The following week, restoration began.

Not publicly.

No press.

No grand announcement.

Vittorio spent hours there.

So did Elena.

Matteo came on good days and sanded old chairs badly.

Carmela supervised everyone while doing almost nothing herself.

Then Carlo arrived carrying a wooden crate.

“I found this in warehouse storage.”

Inside were old plates.

Menus.

Photographs.

A blackened saucepan.

At the bottom lay a section of the original painted sign.

BELLANDI & MAR—

Elena touched the wood.

Carlo looked at her.

“Your grandmother painted it.”

“How do you know?”

“I held the ladder.”

Another piece of lost history returned.

Vittorio examined the crate.

Then he noticed a small white envelope taped underneath the sign.

Carlo frowned.

“That wasn’t there before.”

Mrs. Conti went pale.

Vittorio looked at her.

“You know it?”

She slowly nodded.

“Rosa gave it to me.”

“When?”

“The last time she came to the mansion.”

Vittorio stared.

“You kept something else from me?”

“She made me promise.”

“Everyone made promises except to me.”

The bitterness in his voice silenced the room.

Mrs. Conti held out the envelope.

“I was supposed to give this to you only if two things happened.”

“What things?”

“You remembered Sunday pasta.”

Vittorio looked toward Elena.

“And?”

Mrs. Conti’s eyes filled.

“You chose to put Marchetti back on the sign without anyone forcing you.”

Vittorio took the envelope.

Inside was not a letter.

It was an old photograph.

Rosa standing outside the Bellandi mansion.

A teenage Sofia beside her.

The date was six months after Lucia’s death.

On the back Rosa had written only one sentence.

Domenico asked us to come back.

Vittorio looked up sharply.

Carlo went still.

That changed everything.

Because they had spent weeks believing Domenico had permanently driven Rosa away.

May you like

But according to Rosa herself—

Vittorio’s father had tried to bring her back.

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